Batman: The Animated Series is an American superhero animated television series based on the DC Comics superhero Batman. Developed by Bruce Timm, Paul Dini, and Mitch Brian, and produced by Warner Bros. Animation, it originally aired on Fox Kids from September 5, 1992, to September 15, 1995, with a total of 85 episodes.[1][2] For the final fifteen episodes, the series was given the on-screen title The Adventures of Batman & Robin, which was also used for reruns of earlier episodes. The series became the first in the continuity of the shared DC animated universe, spawning further animated TV series, feature films, comic books and video games with most of the same creative talent.[3]
The series was praised for its thematic complexity, film noir aesthetics, darker tone, artistic presentation, and modernization of its title character's crime-fighting origins.[4] IGN.com listed Batman: The Animated Series as the best adaptation of Batman anywhere outside of comics, the best comic book television show of all time[5] and the second-best animated series of all time (after The Simpsons).[6][7] Wizard magazine also ranked it #2 of the greatest animated television shows of all time (again after The Simpsons). TV Guide ranked it the seventh-greatest cartoon of all time.[8] The widespread acclaim led the series to win four Emmy Awards, including Outstanding Animated Program.
The series took influence from Tim Burton's live-action films, Batman (1989) and Batman Returns (1992), and the acclaimed Superman theatrical cartoons produced by Fleischer Studios in the early 1940s.[11] In designing the series, Bruce Timm and Eric Radomski emulated the Burton films' "otherworldly timelessness", incorporating period features such as black-and-white title cards, police airships (although no such thing existed, Timm has stated that he found it to fit the show's style) and a "vintage" color scheme with film noir flourishes.[12]
The visual style of the series was based on the artwork of Radomski, and the gothic look of Gotham City was derived from his initial designs.[13] In addition, Radomski issued a standing order to the animation department that all backgrounds be painted using light colors on black paper (as opposed to the industry standard of dark colors on white paper).[12] The distinctive visual combination of "noir" imagery and Art Deco design was dubbed "Dark Deco" by the producers.[14]
The series initially took a variation of music written by Danny Elfman for the Burton films as its theme; later episodes of the series used a new theme with a similar style by Shirley Walker (Walker was occasionally Elfman's conductor for films). The score of the series was influenced by Elfman's work on the Burton films, as well as music of 1940s film noir.
The series is more adult-oriented than many of the previous superhero cartoons. It depicts outright physical violence against antagonists, including realistic firearms (though only one character, Commissioner Gordon, was even depicted as having been shot, in the episode "I Am the Night"). First-time producers Timm and Radomski reportedly encountered resistance from studio executives, but the success of Burton's first film allowed the embryonic series to survive long enough to produce a pilot episode, "On Leather Wings", which, according to Timm, "got a lot of people off our backs".[12] During the series' production, producer Alan Burnett wrote a silent episode (without dialogue) entitled "Silent Night" to explore more of Batman's sexual life, but this was never produced. Burnett also intended to make an episode featuring a female vampire that would bite Batman to suck his blood, but plans never materialized.[15]
The series is also notable for its supporting cast—numerous known actors provided voices for a variety of recognizable villains, most notably Mark Hamill (previously famous for his role as Luke Skywalker in the original Star Wars trilogy) finding success in voice acting thanks to his "cheerfully deranged" portrayal of the Joker.[16] The role was originally given to Tim Curry, but he developed bronchitis during the initial recording sessions.[17] John Glover, who later voiced the Riddler, also auditioned for the Joker role. Hamill, who found himself to be the biggest fan of the Batman comics among the cast, credited the laughs he had honed on stage in Amadeus with landing him the role.[18] The recording sessions, under the supervision of voice director Andrea Romano, were recorded with the actors together in one studio instead of taking separate recordings, as is typical. This method would later be employed for all subsequent series in the DC animated universe. Al Pacino was considered to voice Two-Face in the series, but he declined the offer.[19] Richard Moll was instead cast in the role. Other actors included Ron Perlman as Clayface, Roddy McDowall as the Mad Hatter, David Warner as Ra's al Ghul, Michael York as Count Vertigo, Kate Mulgrew as Red Claw, George Murdock as Boss Biggis and George Dzundza as the Ventriloquist.
One of the series' best-known inventions is the Joker's assistant, Harley Quinn, who became so popular that DC Comics later added her to mainstream Batman comic book continuity. The Penguin underwent change for the series; his appearance was remodeled after the version seen in Batman Returns, which was in production simultaneously with the series' first season. New life was also given to lesser-known characters for the series such as the Clock King. In addition, dramatic changes were made to other villains such as Clayface and Mr. Freeze, who was changed from a gimmicky mad scientist to a tragic figure whose "frigid exterior [hid] a doomed love and vindictive fury".
Characters
The Joker's accomplice Harley Quinn, Gotham City police detective Renee Montoya, the vigilante Lock-Up, former actor Simon Trent, and ninja Kyodai Ken are original creations who became characters in the comics. Older villains that were lesser known from the comics, such as Count Vertigo, the Mirror Man and the Clock King, were modified for the series in both appearance and personality. Other original antagonists were created, such as Roland Daggett, Red Claw, Lloyd Ventrix, the Sewer King, Boss Biggis and Emile Dorian, but to little acclaim, and did not make any appearances outside the series, though Daggett was re-imagined as businessman John Daggett for The Dark Knight Rises.
Aside from creating characters that crossed over into the main line of DC Comics, several of the series' reinterpretations were carried over as well. Mr. Freeze was revised in the comics to emulate the series' tragic story, the success of which actually compelled DC to bring the character back after "killing" him off some years earlier. Clayface was revised to be much more similar in appearance to his animated counterpart; and Two-Face's double-sided, black-and-white suit has become a common appearance for the character.
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